Joe Meek is a notable British sound engineer, record producer and songwriter active in the 50s and 60s. His experiments with effects like overdubbing and sampling are also foundational to space age pop and psychedelic outsider music. This would soon be known as remixing.Ī perfect example of Tubby’s deft touch for reverb is present on the track “Dub You Can Feel.” Listen for the reverb on the snare - it’s the classic spring reverb “boing” effect common in dub music. He’d accentuate this or that instrument, add some delays, echoes and reverb-a major innovation at the time. When producing a ‘version’ without the vocal track, Tubby would take a lot of creative liberty. Reverb is one of Tubby’s signature secret weapons-and what makes dub sound so special. Jamaican 45s often press the main track on one side, and an instrumental “version” on the other. He’s well known for his innovative technical work and for essentially inventing the concept of the remix. His production and sound engineering work was pivotal to the development of dub and reggae in the 60s and 70s. King Tubby was a key figure in the Jamaican soundsystem culture of the 50s. So to celebrate the tracks that refuse to take reverb lightly, here are 8 tracks of different genres that use reverb in masterful and original ways. A word of warning though – these are free, so it’s likely that someone has already used it (again, manipulate the vocals).Unlimited mastering & distribution, 1200 royalty-free samples, 30+ plugins and more! Get everything LANDR has to offer with LANDR Studio.
Landr vocal samples free#
Nothing better than some free vocal packs to get you started.
Landr vocal samples how to#
Want new ideas on how to process samples creatively? Check out our extensive guide here 🔥 The Best Free Vocal Packs 😮 Now let’s dive into some of the best free and paid vocal packs out there! And intuition doesn’t necessarily come from under this sun. I still think that there’s room to create, you know. “Some people say there’s nothing new under the sun. Creating pads and atmospheres from vocals: use reverb in excess to create haunting textures that will add depth to your tracks.Chopping vocals: slice and re-arrange words or syllables from different samples to create brand new melodies.Pitch it up or down to match your project and give it its own identity. Time-stretching and pitch-shifting: pick a vocal in a different BPM to your song, then speed it up or slow it down.If you’re new to the world of slicing and stretching, here are a few ideas to get you started: The idea here is to transform the original sample enough so it’s not instantly recognizable.
This is why vocal manipulation is essential. There’s (almost) nothing worse than using a vocal as is, releasing the song, then realizing somebody else already used it. Echoes by Holly Drummond (by Black Octopus Sound)Įven though there are 100,000s of vocal samples available on the web ( Splice Sounds has 185,151 and counting)….On My Way Sample Pack (by Producer Loops).Tropical Bass Vocals (by Samplephonics).Cymatics Vocal Pack Collection (by Cymatics).Vocal Atmospheres by Amy Kirkpatrick (by Black Octopus Sound).Antidote Audio X Takeaway Sound Free Vocal Pack (by Antidote Audio).Free Vocal Ad-Libs Samples (by MusicRadar).Ultimate Female Vocal Sample Pack (by MusicRadar).Euphoria – Vocal Sample Pack (by Cymatics).
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